Cinema in Kerala serves as a vibrant space for negotiating social identities .

This analysis will draw on feminist film theory, which critiques the representation of women in film and the ways in which they are objectified and marginalized. The work of scholars such as Laura Mulvey and bell hooks will be used to analyze the scene and its implications.

Post-2010, a paradigm shift occurred. The "New Wave" of Malayalam cinema retained the realism of the Golden Age but adopted modern cinematic techniques and global narratives. Filmmakers like Aashiq Abu, Dileesh Pothan, and Lijo Jose Pellissery brought a raw, unpolished aesthetic that resonated with global audiences.