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Similarly, (2018), directed by Sean Anders (who based it on his own experience fostering and adopting), offers a mainstream, heartfelt look at two bio-less parents (Mark Wahlberg and Rose Byrne) adopting three siblings. The film tackles "resentment" head-on. The oldest daughter, Lizzie, isn't mean for the sake of being mean; she is testing whether these new parents will abandon her like everyone else. The film’s central thesis—that family is forged in the fire of daily, unglamorous effort—is a far cry from the magical reconciliation of The Sound of Music .

But the American (and global) family has changed. With divorce rates stabilizing near 40-50% in many Western nations and remarriage becoming increasingly common, the "blended family"—a unit combining children from previous relationships with new partners—has become a demographic reality. Modern cinema has finally caught up. 356 missax my cheating stepmom pristine ed