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These films review the culture by indicting it. They ask: If we are so literate, why are we so illiberal?
Consider the films of the 1980s and 1990s, often called the "Golden Age." Director Padmarajan’s Namukku Parkkan Munthiri Thoppukal (1986) wouldn’t make sense outside the high-range rubber plantations. The oppressive humidity, the isolation of the thottam (estate), and the scent of fermenting grapes create a unique romantic tragedy that is distinctly Keralite. These films review the culture by indicting it
