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Malayalam cinema doesn't create Kerala culture. It documents it. 📝

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During the Naxalbari movement, films like Chamaram and Yavanika questioned state authority. During the rise of communal polarization in the 1990s, directors like Adoor Gopalakrishnan ( Vidheyan ) created allegories of feudal oppression. In the 2010s, the Petta (a type of local strike) and the student politics of Kerala University were chronicled in Chola (2019). Malayalam cinema doesn't create Kerala culture