The restoration revealed that the background was not originally brown, but a deep, oceanic blue that had oxidized. This discovery changed the painting’s mood entirely, suggesting Alma was not in a void, but drowning in a night sea of memory.
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The work exists in two alleged forms: a 12-minute, black-and-white 16mm film, and a “living sculpture” installation that was only shown once in 1962 at a private apartment in Vienna’s 7th district. The restoration revealed that the background was not