While originally filmed in , an English-dubbed version does exist, largely found on older VHS releases and some DVD imports.
The story follows a man named Hugo who returns to a mansion from his childhood. Through a series of flashbacks set in 1937, he recalls a 48-hour period spent at the house when it served as a high-end brothel managed by his mother, Anna (Vera Fischer). The film explores Hugo's sexual awakening and the complex political atmosphere of Brazil just before significant governmental changes. Key Cast and Crew While originally filmed in , an English-dubbed version
Amor Estranho Amor (known internationally as Love Strange Love The film explores Hugo's sexual awakening and the
Upon its release, "Amor Estranho Amor" sparked controversy and debate due to its bold and unflinching portrayal of incest. The film received a mix of reviews from critics, with some praising its courage in tackling a taboo subject, while others found it disturbing or even misogynistic. The Enigma of Amor Estranho Amor (1982) Directed
The Enigma of Amor Estranho Amor (1982) Directed by the legendary , Amor Estranho Amor (Love, Strange Love) remains one of the most debated and legally embattled films in Brazilian history. Released in 1982 , the film is a sensual, atmospheric period piece that explores the complex sexual awakening of a 12-year-old boy named Hugo. The Story: A Brothel Education
The "strange love" wasn't just a phrase; it was the atmosphere. It was in the way the sunlight hit the mahogany floors and the way the laughter from the parlor sounded like a plea for help. As Hugo navigated this labyrinth of burgeoning desires and social taboos, he realized that the world he was being prepared for was far more fragile—and far more dangerous—than the fairy tales he had left behind.
The film opens not with a title card, but with the hazy, golden glow of a Rio de Janeiro afternoon, 1937. We see a boy, no older than twelve, running through a crowded train station. His name is Hugo. He is dressed in a stiff, uncomfortable sailor suit, a stark contrast to the sweat and chaos around him. He is alone. A stern-faced woman from a state orphanage has just handed him over to a uniformed chauffeur with a single instruction: "Take him to Dona Laura. He is her grandson. She doesn't know he exists."