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There is a voyeuristic relief in watching the Roy siblings scream obscenities on a yacht or the Pearson family cry through a Thanksgiving dinner. It makes our own Thanksgivings seem manageable.

Succession perfected this, but the trope is ancient. A family business is a metaphor for the family itself. Is it a legacy to be proud of, or a prison? The business forces proximity; you cannot escape your father if you share a boardroom table. Conflicts over vision (growth vs. tradition) become conflicts over identity. There is a voyeuristic relief in watching the

They don’t hug easily. They don’t say “I love you” without a wince. But they stand in a loose circle, wind whipping the salt spray into their faces, and Eleanor reads the letter their mother wrote—the one Gabriel hid for twenty-seven years. It ends: A family business is a metaphor for the family itself