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In recent years, this realist tradition has exploded into a new wave of "content-driven" cinema. Films like Kumbalangi Nights (2019) dissect toxic masculinity within a modern family; The Great Indian Kitchen (2021) is a devastatingly sharp critique of patriarchal structures and ritualistic domestic servitude; Joji (2021) reimagines Macbeth within a dysfunctional Keralite plantation family, exposing greed and feudal mindset. These films do not just entertain; they provoke public discourse, often mirroring and amplifying the state’s high literacy rate and its citizens’ engagement with progressive social issues. If you could provide more context or clarify