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Why the change? Two reasons. First, the internet democratized the archive. Documentarians no longer rely on the studio’s PR department for footage. They mine fan-cams, deposition videos, forgotten VHS interviews, and even TMZ clips to build a counter-narrative. Second, we, the audience, have developed a taste for moral complexity. We want to love the art but interrogate the artist.
"Manufacture?" Sarah raised an eyebrow.
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