In the discourse of 20th-century architectural theory, few figures are as pivotal as Christian Norberg-Schulz (1926–2000). A Norwegian architect and theorist, he bridged the gap between modernist pragmatism and phenomenological philosophy. While his later works, such as Genius Loci (1980), are famous for exploring the "spirit of place," it is his earlier, seminal work——that serves as the foundation of his thought.
Norberg-Schulz defines intention as the primary goal or purpose that guides the architect's design decisions. It is the underlying idea or concept that shapes the form and structure of a building, giving it meaning and significance. According to Norberg-Schulz, intention is not just a subjective expression of the architect's personal taste or preference but rather an objective principle that governs the design process. He argues that intention is what distinguishes architecture from mere building, as it imbues the built environment with a sense of purpose and direction. intentions in architecture norbergschulz pdf work
His work argues that to build is to interpret the world. An architect intends to reveal the character of a site, to articulate the structure of a community, and to symbolize the values of a culture. Without these intentions, we do not build architecture; we merely construct shelters. In the discourse of 20th-century architectural theory, few