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For decades, executives used a circular logic to exclude older women: they claimed that audiences would not buy tickets to see films starring older women, so they did not make them. Because they did not make them, there was no data to prove audiences would watch them. This was shattered by the surprise success of films like The First Wives Club (1996) and Mamma Mia! (2008), which proved that the disposable income of older women—and the audience’s appetite for seeing them—was vastly underestimated.