ExtremeStreets has no style. Drive has so much style it hurts. Nicolas Winding Refn’s neon-soaked LA noir turns a simple getaway driver into an arthouse icon. The elevator scene alone has more tension than the entire runtime of ExtremeStreets .
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The realism. No CGI. No “extreme” bro culture. Just hired thieves,冷战的余烬, and driving that makes your palms sweat. Every screech of the tire feels earned.
