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However, the critical modifier is "with relationships and romantic storylines." This means the story is not a sterile biography. The protagonist’s journey to self-discovery is inextricably woven through their interactions with lovers, exes, and potential partners.

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Writing a "title alone with relationships" story is a tightrope walk. If the protagonist is too unlikable, the audience leaves. If the romance overshadows the protagonist, the format fails. Here is how the masters do it. However, the critical modifier is "with relationships and

Every breakup, every ghosted text, every awkward date must reveal a new layer of the protagonist’s flaw. In Fleabag , the inability to have sex without emotional collapse is not a plot point; it is the character flaw. Since you specified "video title alone," I'll provide