However, the repackaging economy faces a significant artistic critique. Critics argue that the relentless focus on existing IP comes at the expense of mid-budget originality. The “prestige remake” has given way to the “legacy sequel,” which often functions less as a story and more as an Easter egg delivery system. Films like Star Wars: The Rise of Skywalker or the Marvel Cinematic Universe’s Phase Four are frequently accused of being “theme park rides”—spectacular visual events that prioritize fan service over narrative coherence.
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